The Greek photographer Penelope Koliopoulou is tired of seeing romantic comedies that end as soon as the main couple gets together. From her yearning for more complex representations of intimacy, she created Self Portraits, a series of staged narratives in which she plays both the male and the female involved in a heterosexual relationship.
Her initial impulse was to explore film stills in a way I imagine would be much like the work of ... Read More
From today until March 2nd, we the public have the honor of gazing upon Thomas Kluge’s ginormous portrait of the Danish royal family at Christian VIII’s Palace at Amalienborg before it retires to the Fredensborg Palace to live with the family.
Kluge spent four years on his masterpiece, but it hasn’t been well-received. Because it’s, well, kinda creepy. Prince Christian, the young heir to the throne, stands in the ... Read More
In many ways, photography has always been about voyeurism, about examining a subject with or without their consent. The internet magnifies our desire to peer into each other’s windows, and photographers are catching on. Doug Rickard and others have used Google Maps to survey the world. The content on the internet is open for consumption as soon as it gets put out there, and the photo collage artist Julia Geiser takes full advantage the ... Read More
As children, many of us turn to our toys to navigate our developing identities. Sometimes, our dolls serve as surrogates; we parent them the way we see our children parenting us, and we identify with them. Photography operates similarly: as teens, we might dog-ear or collect magazine images that appeal to our expanding sense of self. Since so many dolls and photographs in mainstream fashion magazines present a grossly limited definition of femininity, it ... Read More
In Saudi Arabia, images are censored in extreme ways; figures in magazines are drawn over or crossed out. In “Out of Line,” the photographer Jowhara Al-Saud presents a groundbreaking approach to her country’s limits on free expression. Her photographs obscure any personal markers; the faces of her subjects are erased. The images could easily be mistaken for drawings, and this ambiguity only adds to the frightening sense that the viewer ... Read More
BY Fatimah Hameed
on Nov 19, 2013
Imagine leaving your home and family at age 13 to move by yourself to a country where you don't speak the language or know anyone.
"I was devastated," Pimprae Hiranprueck told Slate magazine's David Rosenberg of when her parents sent her from Thailand to attend school in the States.
But a few years later when she went to study at the Savannah College of Art and Design, Hiranprueck was able to turn her feelings into a beautifully self-reflexive project.
Her senior ... Read More
National Geographic’s photographers are in a league of their own; the senior photo editor Elizabeth Krist explains that “resilience and courage” are paramount as she and her colleagues regularly send photojournalists into tough terrain for an average of eight weeks. The road hasn’t been easy for women, and of the fifty or so staff photographers to have served the society in the past century and a quarter, only four are ... Read More
While searching for a temp job, the artist Coco Layne shaved the sides of her head. Soon after, she got an interview with a conservative clothing company. She wore a wig to conceal her unusual hairstyle. To fit in at work, she parted her hair in a more “feminine” way, covering the shaved areas of her head; she wore makeup.
She documented the transition in her gender presentation on film. In the series, called Warpaint, she hopes to ... Read More
If you’ve ever wondered what exactly happened to what to the subject of Edvard Munch’s The Scream, the Korean illustrator Kim Dong-Kyu is happy to inform you: he dropped his iPhone. In “Art x Smart,” the artist updates famous paintings, adding to their subjects the accessories of modern life. Of course the images satirize our dependance upon technology with their inclusion in monumental works of art, but I also like the work because ... Read More
The artist Addie Wagenknecht is known for her critical examinations of internet culture. In the past, she has staged performance art pieces revealing the appeal of anonymity. She has created internet pages that refuse to load, revealing our urgent need for gratification through imagery. In Brussels’s recent Digital Now exhibit, she uses the internet and technology, tools that she admits are generally controlled by men, to create groundbreaking and ... Read More