In this day and age, everyone understands the power of a well-executed Valencia filter. But let’s get real: that morning muffin might have looked awash in a golden halo of soft light, but we all know that it was shoved into the depths of a purse about 60 seconds later for a crowded commute. Read More
BY Samantha Albala
on Oct 06, 2014
Kirsten Dunst — whether you love her for her first kiss with Brad Pitt in Interview with a Vampire, or because she was the true hero of Eternal Sunshine of The Spotless Mind — is breaking new ground with her social commentary of the selfie.
Published late September, the advertisement titled “Aspirational” proves how ridiculously annoying it is to steal pictures with celebrities. In partnership with her friend Matthew Frost, a satirical fashion photographer, and Vs. magazine, this short was created to highlight the priorities of the social media age. Read More
BY Maddie Maschger
on Aug 14, 2014
Vivian Fu is a San Francisco based, San Fernando Valley raised photographer pushing the limits, shattering boundaries, and taking names. She earned her B.A. in Fine Arts with an emphasis on photography at the University of California, Santa Cruz in 2012, and has since been creating an incredible body of work exploring identity, delving into her own experiences as an Asian American woman and working with her body and her relationships. Read More
on May 02, 2014
Tomorrow is your last chance to take part in the interactive art show "RESONANCE" before a wrecking ball knocks down the whole damn warehouse.
There is a secret movie theater downstairs, a mud cave, a mirrored ceiling dwelling, a big-ass slide, massive fabric alter, a giant birdcage set up for a ritual and so many other breathtaking pieces. Read More
The selfie photograph is potentially profoundly empowering, but as a genre it can also be repetitive and affirming of specific and exclusive ideas about beauty and female self-worth; it all depends on the selfie in question. Amidst the plethora of staged selfie images, one selfie we don’t see very much is a selfie in which a woman’s body is changing unpredictably, and that’s what makes the photographer Sophie Starzenski’s 40 Weeks and a Mirror so powerful. Read More
For many young feminists, the “selfie” has been claimed as a fulfilling expressive medium that lends itself to self-actualization and confidence. The artist Lindsay Bottos explains, “The act of women taking selfies is inherently feminist, especially in a society that tries so hard to tell women that our bodies are projects to be worked on […] Selfies are like a ‘fuck you’ to all of that. Read More
Since “selfie” became Oxford English Dictionary’s word of the year, the internet has been abuzz with mediations on the trend’s implication for young women, the group with whom the trend has become most popular. Does the validation of the selfie as a word and as a fixture in modern society hurt or help those who take them?
Flavorwire’s Michelle Dean and Jezebel’s Erin Gloria Ryan view the photographic medium as dangerous to young women’s self-esteem and sense of worth. Read More
Reportage aims to give readers and viewers the impression of being there; we consume news because knowledge of goings on in faraway places grants us the illusion of actually participating in significant events. The most famous photojournalistic images either capture something so momentous or historic that they make us forget that we weren’t actually there when it was taken. The well-known “Kissing Soldier” photo is one such image; although the woman didn’t know the man at all, we’ve constructed a national narrative about a love story that never happened. Read More