Tag » Music
    No matter how much you love your job, sometimes you just need to blow off steam at the end of the week. We feel ya. So why not unwind from the work week with two things you love: BUST and drinks? On Thursday, June 6, the BUST team'll be heading to Heathers in NYC's East Village for a post-work happy hour. Join us from 6:30 to 8:30 PM for a set of booty-shakin' retro tunes spun by DJ Sheila B, free issues of BUST, and a plethora of stress-reducing drink specials. BUST readers, BUST lovers, lovers of BUST lovers, roommates, friends, parents, and grandparents are all welcome. Read More
Okay, to suggest that Brooklyn band Sharkmuffin has their sights on total world domination may be a stretch. However, their recently released EP, She-Gods of the Champagne Valley, IS the perfect summertime album for girls who dreamed of being Tura Santana when they were little. And whether they're dedicating a single to Pussy Riot, or playing at feminist art houses (hauses?) guitarist Tarra Thiessen and bassist Natalie Kirch have developed a sound that’s raw and rock while still being tongue-in-cheek playful. Read More
You know your secret dark place you go to in your mind that feels all comfy and shit despite the cold puddles of despair and dark hallways of longing? (Whoa, Mr. Dramatic.) You know you shouldn’t be lingering there, but like picking a scab or cracking your knuckles, the hurt is just too good. Nadine Shah’s new single “To Be a Young Man” from her forthcoming album Love Your Dum and Mad has received quite the bit of praise from the indie music Pressosphere and I say it is my leading “hang out in the dark on a sunny day” album of choice. Read More
Any music fan worth her salt has a well-worn copy of the Breeders' Last Splash on her shelf. It defies classification--not quite punk, not quite riot grrrl--but it is, without question, iconic. Packed with delightfully off-kilter noise pop gems, it's an all-time classic of alternative rock. Even the notoriously picky taste arbiters at Pitchfork agree--it's ranked (a shockingly low) 64 on their list of Top 100 Albums of the 1990s. For the 20th anniversary of the LP's release, the Breeders have reunited the original Last Splash lineup for a tour celebrating their platinum-selling album. Read More
I was lucky enough to catch the sold-out Little Boots show this past Tuesday night (in my business clothes, no less) , and lemme tell ya, good night, nurse! I strolled into the Music Hall of Williamsburg just as first opening band, Feathers, took the stage. All hail Feathers! They played the hell out of the best songs on their debut album, If All Now Here, filling the hall with their ominous, dance-y sound. I didn’t want it to end, and my only complaint about their set is that it was too short. Read More
Going to an Akron/Family show is like attending a hipster tent revival, so it’s fitting that the band’s sixth album is full of psychedelic hymns for its flannel-clad brethren. Mixing folk-y melodies with strange rhythms and switching time signatures and tempos constantly, the band has fully realized its signature genre on Sub Verses: prog folk. Expansive opener “No Room” is a primal waltz with a grinding, repetitive drumbeat and soaring, chant-like vocals. Read More
  As a self-identified geek and longtime Music-Obsessed Human, I’ve tried more than my fair share of headphones. Nobody wants to spend all their dang beer money on a crazy-fancy pair, but I’m definitely willing to shell out a bit of cash for quality sound and good construction that’ll withstand some abuse. I’ve tried everything from the ultra-cheap earbuds at Best Buy to massive 1960s-era Pioneer headphones (thanks, eBay!), but I’ve had nitpicky issues with most of them. Read More
The So So Glos' latest full-length album, Blowout (out now on the band's own label), starts out with a home recording of a boy about seven or eight saying, “Do you think he has a gun? Yes, he shot himself! Well, we’re listening to Nirvana, and as you know Kurt Cobain, POW,” before the Bay Ridge–bred punks fly into opener “Son of an American.”  Singer Alex Levine roars through with a perfect blend of slightly nasal sneering and staggering raspiness, and keeps going for 12 more tracks (clocking in under 45 minutes). Read More
Electronic dance music—otherwise known as EDM—sometimes gets a bad rap, but Miss Kittin’s new album Calling from the Stars is a nonstop dance party. The French femme fatale sounds as sharp as ever. Songs like “Night of Light” and “Tamarin Bay” find Miss Kittin experimenting with various pitches and tempos, all while using her voice as a flexible instrument. “Ballad of the 23rd Century” sounds more like a psychotropic call to action than a five-minute dance track. Read More
It’s been four long years, but avant-punk trio Yeah Yeah Yeahs has returned with a trippier-than-ever LP to feed your inner art-school weirdo. The psychedelia-infused album pays homage to the band’s punk roots while weaving in the raw intensity of Show Your Bones andIt’s Blitz!-like electronica/dance beats. Mosquito boasts 11 dreamy tracks fueled by Karen O’s fiery yelps, Nick Zinner’s striking guitarwork, and Brian Chase’s complex percussive skills. Read More
Facebook_websiteTwitter_websitePinterest_websiteRSS_websiteTumblr_websiteIG_website

Search