Transference

by Lisa Kirchner

It’s been three years since Ga Ga Ga Ga Ga, Spoon’s most triumphant release since 2002’s Kill the Moonlight, the album that contained, for better or worse, The O.C.-baiting “The Way We Get By.”

On Transference, we find the Austin-based rockers with another set of hook-heavy songs that seem destined for fall television soundtracks on the CW (I wouldn’t be surprised if “The Mystery Zone” was written with Gossip Girl in mind). That’s not necessarily a bad thing, especially when Britt Daniel’s detached falsetto (“I’m writing this to ya in reverse/Someone better call a hearse”) sounds like a pitch-corrected Stephen Malkmus. Spoon even takes a stab at electro-rock on “Who Makes Your Money” and the primitive dance-floor anthem “Nobody Gets Me But You,” and it all seems to work. It’s classic Spoon with a dash of psychedelia, all of which adds up to another solid rock ‘n’ roll album by a consistently great rock ‘n’ roll band.

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