Daneshevskaya’s New Album Is Both Aching And Dreamy  

by Carlee McManus

Lark-voiced and light-footed, Daneshevskaya (N.Y.C. native Anna Beckerman) balances haunting heartbreak with prism-paved fantasy on EP Long Is the Tunnel. Beckman’s poetic lyrics and aureate imagination lead an exploration into the curious mouse trap of connection and the concept of goodbye. Built on a skilled foundation of guitar and piano, the instrumentation also yields a beautiful balance—infusing the longing on “Big Bird” with fuzz pop, adding sax to the dreamy vibe of “Somewhere in the Middle,” and turning intimate into symphonic (“Bougainvillea”). Long Is the Tunnel feels big and close, leaving us both aching and dreaming. 

Image via Winspear

–CARLEE MCMANUS

Daneshevskaya’s New Album Is Both Aching And Dreamy 

Lark-voiced and light-footed, Daneshevskaya (N.Y.C. native Anna Beckerman) balances haunting heartbreak with prism-paved fantasy on EP Long Is the Tunnel. Beckman’s poetic lyrics and aureate imagination lead an exploration into the curious mouse trap of connection and the concept of goodbye. Built on a skilled foundation of guitar and piano, the instrumentation also yields a beautiful balance—infusing the longing on “Big Bird” with fuzz pop, adding sax to the dreamy vibe of “Somewhere in the Middle,” and turning intimate into symphonic (“Bougainvillea”). Long Is the Tunnel feels big and close, leaving us both aching and dreaming. 

Image via Winspear

–CARLEE MCMANUS

Check out our review of Daneshevskaya’s new album Long Is the Tunnel 

Daneshevskaya’s New Album Is Both Aching And Dreamy 

Lark-voiced and light-footed, Daneshevskaya (N.Y.C. native Anna Beckerman) balances haunting heartbreak with prism-paved fantasy on EP Long Is the Tunnel. Beckman’s poetic lyrics and aureate imagination lead an exploration into the curious mouse trap of connection and the concept of goodbye. Built on a skilled foundation of guitar and piano, the instrumentation also yields a beautiful balance—infusing the longing on “Big Bird” with fuzz pop, adding sax to the dreamy vibe of “Somewhere in the Middle,” and turning intimate into symphonic (“Bougainvillea”). Long Is the Tunnel feels big and close, leaving us both aching and dreaming. 

Image via Winspear

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