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Lauren C. Byrd

Movies

Ana Lily Amirpour’s “A Girl Walks Home Alone at Night” Is A Western Noir With A Feminist Twist: 52 Weeks Of Directors

Movies

Larisa Shepitko’s Stunning Soviet-Era Films Will Have You Wondering Why You’ve Never Heard Her Name

Movies

On Nicole Holofcener’s Relatable Female Characters: 52 Weeks Of Directors

Movies

With ‘Girlhood’ And ‘Tomboy,’ Celine Sciamma Redefines Coming-Of-Age

Movies

Andrea Arnold, from ‘Fish Tank’ to ‘American Honey,’ Tells The Stories Of Teenage Girls

Movies

How Ann Hui Became A Leader Of Hong Kong New Wave: 52 Weeks Of Directors

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From “Harlan County USA” To “Shut Up And Sing,” Barbara Kopple Captures Social Change: 52 Weeks Of Directors

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Sally El Hosaini Captures Queer Narratives And Masculinity In Egypt: 52 Weeks Of Directors

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Nana Ekvtimishvili Brings Her Georgian Heritage To The Big Screen: 52 Weeks of Directors

Movies

How Sarah Polley Went From Child Star To Oscar-Nominated Director