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Vox Lux' Doesn't Live Up To Its Ambitions

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Vox Lux
Written and Directed by Brady Corbet

Writer/director Brady Corbet brings us a new kind of faux-doc with this drama about a fictional pop star named Celeste—one name, like Madonna or Cher. Vox Lux's first half shows Celeste's rise to stardom. As a Staten Island preteen (Raffey Cassidy), Celeste survives a school shooting. While she's recovering, her older sister Eleanor (Stacy Martin) teaches her how to write music. Celeste performs a song at a memorial for the shooting victims, footage of which goes viral, and with her career guided by a savvy manager (Jude Law), she becomes a superstar.

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While the first half of Vox Lux spans several years, the second focuses on a single day. Celeste is now in her 30s (Natalie Portman), with a teenage daughter of her own, Albertine (Raffey Cassidy again). After hitting a low point due to drinking, drugs, an at-fault car crash, and a racist outburst caught on camera, she's preparing to re-launch her career with a new album, Vox Lux, and an arena tour—until a terrorist attack threatens her plans.

The structure of Vox Lux is interesting (Willem DaFoe provides occasional narration), and there are some fascinating visuals. But the characters aren't particularly memorable, the pop songs are boring yet given lengthy screentime, and the Staten Island accents are all over the place. Corbet gets points for ambition, as does Portman for playing against type. But despite the comparisons, Vox Lux is no Black Swan. (3/5)

This piece originally appeared in the January/February 2019 print edition of BUST Magazine. Subscribe today!

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Erika W. Smith is BUST's digital editorial director. You can follow her on Twitter and Instagram @erikawynn and email her at erikawsmith@bust.com.

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