Whether it’s music for movies about male strippers, French revolutionaries, or, with The Hustle, female con artists, Anne Dudley has composed it all. One of only three women to have won the Oscar for Best Original Score (for The Full Monty in 1997), she’s become known for her eclectic choice of projects, which includes other ’90s hits The Crying Game (1992) and American History X (1998), as well as the Anne Hathaway/Hugh Jackman Les Misérables and last year’s Mamma Mia: Here We Go Again. I caught up with Dudley and got the scoop on her composing...