Category » TV
  Zero Motivation is a new film about two young women who perform their mandatory military service as office workers in an army base under a rigid Israeli leader. Tayla Lavie’s black comedy tackles a new approach to the very male-dominated genre of war films, namely a military movie from a female perspective that is also written and directed by a woman.  The film is broken into three chapters and centers on the power struggles of three females. Read More
In Norah Shapiro’s documentary, Miss Tibet: Beauty in Exile, a Tibetan-American teenageer leaves home in Minnesota, dons a bikini and high heels, and heads to Dharamsala, India to vie for the crown of Miss Tibet. The film follows Tenzin Khecheo on an unusual search for her “Tibetan-ness” by way of a western-style beauty pageant staged by an eccentric impresario in the Indian region home to the exiled Tibetan government. Personally, I have a certain reaction to beauty pageants that is totally cliched feminist. Read More
  Everybody’s favorite fast-talking duo are back, and they’re coming to Austin, Texas! That’s right, Lorelai and Rory Gilmore (played by actors Lauren Graham and Alexis Bledel) will be reuniting, along with show creator Amy Sherman-Palladino, to honor the 15th anniversary of the show’s debut. Read More
Josephine Decker is an actor, writer, performance artist and filmmaker. Her most recent creations are two fearless feature-length films, Butter on the Latch and Thou Wast Mild and Lovely. These evocative movies defy expectations of narrative and rely on alternative styles of storytelling to illuminate the lives of young women. I got a chance to ask Decker some questions about her filmmaking process, feminism and fantasy. She is currently taking a physical theatre course in Philadelphia, gathering inspiration and research for her next film. Read More
The silence used in Pawel Pawlikowski’s award-winning, thoughtful and intense new film “Ida” is deafening. Set in post-Stalinist Poland in the early 1960s, the audience is introduced to a bleak, black and white setting where the noise of footsteps on fallen snow or the sound of a spoon hitting the side of a bowl during breakfast feels like a violent interruption against the backdrop of a still, calm quiet. Almost immediately the audience is introduced to Anna (Agata Trzebuchowska), a teenage girl just a few weeks shy of taking her final vows and becoming a nun. Read More