BY Ada Guzman
on Jan 09, 2015
Award-winning actor and advocate Geena Davis is set to launch a film festival this spring that celebrates women and minority characters: Films will only qualify for the competition portion if the cast is gender-balanced and the script was written, directed, and led by a woman or minority person. The festival kicks off May 5th-9th in Bentonville, Arkansas, and will include a number of legendary actors and artists—like Angela Bassett, Eva Longoria, and Julianne Moore, to name a few. Read More
BY Emma Tilden
on Aug 07, 2014
Carrie Brownstein, Portlandia comedy queen and feminist rock-star extraordinaire from the band Sleater-Kinney, is embarking on a new project that will take her headlong into the wonderful world of Austen fandom. Brownstein will complete the screenplay of Lost in Austen, begun by three-time Oscar nominated writer (When Harry Met Sally) and director (Sleepless in Seattle, Julie and Julia) Nora Ephron, but cut short by her passing in 2012. Though this will be her debut as writer for a feature film, I’m 100% positive that Carrie Brownstein can do anything. Read More
BY Gwen Berumen
on Jul 01, 2014
Early last week, I had the pleasure of speaking with Brooklyn-based indie filmmakers Rémy Bennett and Émilie Richard-Froozan, the BFF directors behind the upcoming film Buttercup Bill.
The film can best be described as a dream sequence, a vibrant story of two childhood friends, Patrick and Pernilla, more akin to siblings separated at birth, who reunite after a tragedy. “The genre is doomed love,” Rémy told me, “like people who have this electricity and chemistry but it just doesn’t work out. Read More
From Scary Movie onwards, Anna Faris has brilliantly subverted female lead movie tropes. In the 2011 The New Yorker piece “Funny Like A Guy,” she express her desire to verge from the Type A, likable and romantic roles offered to so many Hollywood starlets. She craves grit and authenticity: “I’d like to explore Type D, the sloppy ones,” she said.
So it makes sense that Faris’s relationship with Barbie, an early image of a stereotyped adult woman, was a little unconventional. Read More