Tag » the new yorker
  Even though The New Yorker has been around forever, it’s still considered one of the most liberal news mags we have out there. That’s why it was so depressing to learn that its trademark cartoons are not “liberal” at all in their representation of women and especially of people of color. Read More
When Rihanna posted her Lui Magazine cover images, in which she happened to be topless, Instagram wasn’t having it. Within 60 minutes, the photo-sharing monolith had taken them down, warning the pop music sensation that nipples went against their no-nudity policy and that if she violated the rules again, she would have her account taken away. Rihanna was understandably miffed, but no matter: she just posted the images to Twitter and responded to Instagram with a witty meme that features a make-under image by artist Danny Evans. Read More
  From Scary Movie onwards, Anna Faris has brilliantly subverted female lead movie tropes. In the 2011 The New Yorker piece “Funny Like A Guy,” she express her desire to verge from the Type A, likable and romantic roles offered to so many Hollywood starlets. She craves grit and authenticity: “I’d like to explore Type D, the sloppy ones,” she said.    So it makes sense that Faris’s relationship with Barbie, an early image of a stereotyped adult woman, was a little unconventional. Read More
In a new essay for an upcoming issue of The New Yorker, funny lady Lena Dunham writes about her childhood fondness for ordering takeout, as well as the recent loss of a family friend. While the topics of death and delivery don’t explicitly overlap in the article, both provoke different feelings of nostalgia in Dunham, whose essay, though tinged with familiar humor, is generally quite sensitive. Read More
The always incredible David Sedaris recently wrote an essay for The New Yorker that recalls a family trip to the beach following the suicide of his sister, Tiffany. Though the piece reflects on loss, and its subsequent effect on the Sedaris family, it is also filled with childhood nostalgia, and, ultimately, a sense of hopefulness.   Sedaris's signature humor is omnipresent as he recollects the oft-laughable, but sometimes somber family dynamics both prior to and after Tiffany’s death. Read More
Amy Poehler, the world’s most fabulously awesome human being x1000, wrote a wonderfully thoughtful piece for The New Yorker about her experience as a 17-year old working at an ice cream parlor. The essay, which takes place in 1989—the summer before Poehler’s first year at Boston College—details the tribulations of working in the restaurant business, and explores a familiar topic: adolescent unease about the future. Read More