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Jenny Lewis’ new album The Voyager dropped yesterday. THIS IS NOT A DRILL. We reported on the amazing moustache-filled cross-dressing wonderment that was her music video for “One of the Guys,” starring our ladyloves Kristen Stewart, Anne Hathaway and Brie Larson, but the day is finally here. THE ALBUM HAS DROPPED. Former Rilo Kiley front woman Jenny Lewis has produced her third solo album in six years — a perfectly polished musical scrapbook of her wayward adventures — and it is pure girl power. Read More
Dan (Mark Ruffalo) is a shaggy-haired, chain-smoking, alcoholic divorced dad with a broken dream of running his own record label. Gretta (Keira Knightley) is a down-on-her-luck young New York émigré with a song in her heart and a battered past of her own. Begin Again is less about the new beginning these two lonely city dwellers find, and more about coming to terms with previous endings. Light on plot and heavy on stubbly Mark Ruffalo grins, Begin Again is perfect for a solo movie night. Read More
What do swimming pools, sexual voyeurism, elevators, and eco-terrorist extraterrestrials have in common? They’re all the subjects of songs on Hotel Valentine, Cibo Matto’s first release in 15 years. Much of the album is written from the perspective of a wry ghost who haunts a hotel and delivers deadpan lines like, “I had some cheese and seedless grapes for lunch and floated around for the rest of the afternoon.” The band’s Japanese-born, N.Y.C. Read More
Following her debut novel, The City is a Rising Tide, Rebecca Lee presents a collection of seven biting stories about the luxury we take in life’s ordinary comforts, and the threats, real or imagined, that lurk beyond the surface. As of this writing, Bobcat was longlisted for the international Frank O’Connor Prize for story collections, and the praise is due: with deadpan humor, Lee’s light touch illuminates the contrasts in everyday life—warmth and cold, past and present, beauty and terror—imbuing her realistic tales with quiet depth. Read More
New Girl Law is a post-Empirical, proto-fourth-wave-feminist memoir-cum-academic abstract that scrutinizes the current reality and future hope for women aspiring to positions of power in Cambodia. If that sounds heady, know that it also makes our country’s Mommy Wars look like child’s play—and proves, in the meantime, why we should be paying attention to Cambodia’s record of human rights and gender equity. Author Anne Elizabeth Moore, a Fulbright scholar and U.N. Read More