After her decades' long work exploring androgyny, the photographer Bettina Rheims saw a shift in the way cultures view gender, and she was inspired by transgendered youth. As transgender issues are only recently beginning to receive the attention they deserve, her 2012 project Gender Studies aims to give voice to the most intimate thoughts on the gendered self. Read More
The photographer Stephanie Diani, whose exquisite series on burlesque dancers captivated us last week, is also the force behind Tribe of Impossible Perfection, a body of work comprising a rich collection of photographs illustrating the personal and cultural significance of body image. For each portrait, she invited a sitter to divulge their thoughts on their own bodies, asking, “If you could change anything about yourself, what would it be?” As they dictated, a plastic surgeon etched pre-surgical lines on their skin in marker. Read More
In Flower Woman, the photographer Eunice Adorno enters the Mennonite community Nuevo Ideal, in Durango, and The Onda Zacatecas, hoping to scratch beneath the surfaces of stereotypes and uncover deeper truths about the women’s lifestyles. The character of the strict and austere Mennonite female is replaced with a more honest and nuanced exploration of female friendships and family.
The images are whimsical, displaying the women sporting smiles and floral prints, enjoying an ice cream cone and playing with one another’s hair. Read More
The family photo album came into vogue in the 1800s, soon after photography was invented; the relatively quick process was convenient for middle class families who could not afford a painting. This isn’t to say that photography was ubiquitous; on the contrary, most folks could only afford to have one shot within their lifetimes. So unlike families today, who can easily upload thousands of images, Victorian families cherished each and every shot. It had to be perfect. Read More
We all know that heavily Photoshopped images don’t accurately depict the human form, yet it’s still easy to become lulled into believing that idealized bodies are relatively uniform. Photographic subjects are too often deemed attractive or not, depending on seemingly arbitrary cultural ideologies. We see fine art and the media portray women as familiar hourglasses; men are often pictured with authoritative stances and broad shoulders. Read More
From today until March 2nd, we the public have the honor of gazing upon Thomas Kluge’s ginormous portrait of the Danish royal family at Christian VIII’s Palace at Amalienborg before it retires to the Fredensborg Palace to live with the family.
Kluge spent four years on his masterpiece, but it hasn’t been well-received. Because it’s, well, kinda creepy. Prince Christian, the young heir to the throne, stands in the foreground, dressed all in black. Read More