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London's Fat White Family are a refreshingly unique band with a bratty name, one that might just keep the kind of people who would really like them from checking them out. Their newest release, Champagne Holocaust, isn’t a true new release—it previously existed on the band’s Bandcamp page, and has now been given an official CD release on Fat Possum Records. That same freedom from convention can be found in Fat White Family’s music—simply put, they play whatever they feel like playing. Read More
  Maïa Vidal is living out the bohemian cousin of the American dream. The 24-year-old Californian booked it for Europe after her college graduation and never looked back, honing her chops on the accordion, violin, and toy piano while living abroad in Paris and Barcelona. Any chanteuse who sounds as though she could singlehandedly take on the Amélie soundtrack is OK in my book, and in that regard, Vidal’s effortlessly offbeat style fits the bill beautifully. Flush with finger-snaps, handclaps, warm strings, and the pings of toy instruments, God Is My Bike is an ambitious, busy effort. Read More
  Known for its robotic vocals (courtesy of a vocoder), Black Moth Super Rainbow has always been difficult to understand, both literally and figuratively—see also the masks the band members wear onstage and their aversion to press. For their fifth album, though, they’ve learned to use their words, discussing the many facets of love on tracks like “Hairspray Heart” and “Like a Sundae.” Kickstarter donations from fans funded Cobra Juicy, and the moral support seems to have expanded the Pittsburgh group’s sound. Read More