Tag » music review
You know your secret dark place you go to in your mind that feels all comfy and shit despite the cold puddles of despair and dark hallways of longing? (Whoa, Mr. Dramatic.) You know you shouldn’t be lingering there, but like picking a scab or cracking your knuckles, the hurt is just too good. Nadine Shah’s new single “To Be a Young Man” from her forthcoming album Love Your Dum and Mad has received quite the bit of praise from the indie music Pressosphere and I say it is my leading “hang out in the dark on a sunny day” album of choice. Read More
   Since its beginnings in 2002, Los Angeles band the Bronx has incorporated a sunny element within its version of hardcore. Maybe it’s a California thing, but it’s hard to describe their explosive, melodic, pump-your-fist music, other than to call it pizza-party punk. Their latest effort The Bronx (IV) is lacking any form of anger, which feels weird for a band of their ilk. Still, songs like “Along for the Ride” and “Ribcage” are loud, brash, and annoyingly infectious. Read More
I’m stoked to say that even after a long break, indie-pop icons Tegan and Sara have still got it—as demonstrated one Thursday night in January when the Canadian sibling duo packed the basement venue at The Standard in the East Village. The sisters laid down old favorites as well as new tracks off their first album since 2009’s Sainthood. Read More
Sometime around the release of his 1984 album Climate of Hunter, Scott Walker discorporated and his consciousness scattered. Periodically, he’s able to gather his atoms back together and create a harrowing dispatch from the ether before vanishing for another decade or so. His once-golden voice reduced to a haunted wail, Walker painstakingly recreates the sounds of traveling through half-existence surrounded by phantoms of the 20th century’s cruelty. Read More
Ellie Goulding’s debut Lights reached the U.S. in 2011, but it didn’t take off for over a year. Now, Goulding is new pop royalty, and Halcyon presents a stark contrast to her introduction. Where Lights possessed an almost naïve view of the world, Halcyon shows her to have matured. Songs like “My Blood” and “Dead in the Water” take hopelessness to new heights. Read More
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