BY Darcy Sturges
on Jul 29, 2013
Director Sebastián Silva, best known for his film The Maid, has created the next manic pixie dream girl (MPDG) film. If you’re not familiar with the manic pixie dream girl trope, watch Feminist Frequency’s video. In short, the MPDG is a female character whose sole purpose is to teach an uptight male protagonist to let loose and enjoy life.
Beyond that purpose, however, the MPDG seems to have no life of her own. Often the audience knows nothing ... Read More
BY Katrina Pallop
on Mar 22, 2013
I’ve been a sucker for soul band creation tales ever since The Commitments wailed its way into my heart, so I was already predisposed to love The Sapphires. The film, by director Wayne Blair, tells the very-close-to-true story of four young Australian Aboriginal women with killer pipes and big dreams. Sisters Gail (Deborah Mailman), Julie (Jessica Mauboy), and Cynthia (Miranda Tapsell) were raised on a reserve, and grew up singing country hits together. When ... Read More
BY Katrina Pallop
on Mar 04, 2013
Rebecca Thomas’s debut feature Electrick Children is a crackling, captivating film that’s equal parts allegory and acid trip. At the center of the story is Rachel (Julia Garner), an inquisitive and rebellious teenager living in the mid-nineties. Julia has been raised by a fundamentalist Mormon family, living on a compound in Utah. On the occasion of her fifteenth birthday, Rachel is asked by her father and church leader (Billy Zane) to begin recording ... Read More
BY BUST Magazine
on Dec 20, 2012
It’s the perfect time for Jack Kerouac’s iconic autobio- graphical novel On the Road to come to the big screen, despite skepticism that this singular staple of beat liter- ature has finally been sold out. Today we find ourselves in an era of uncertain futures populated by emasculated, cigarette-smoking young men with thick-framed glasses and the women who love them—not unlike the late ’40s.
Screenwriter Jose Rivera’s script is still ... Read More
BY Erika W. Smith
on Dec 14, 2012
From the opening sequence of cutesy doodles set to Wilco’s “Heavy Metal Drummer,” it’s clear that Save the Date is a certain genre of rom com: the indie rom-com dramedy. Think 500 Days of Summer, Juno, Garden State, or anything Michael Cera has been in. I usually love these movies, but I didn't love Save the Date. Despite its indie soundtrack, likeable stars, and an adorable cat, Save the Date is never anything more than mediocre.
Most of ... Read More