BY Emma Pacchiana
on Dec 09, 2013
The premise of the New York Times’s recent piece on the stay-at-home husbands of female Wall Street execs was a must-click the minute I heard about it: the so-called “house husband” is one of my favorite answers to the nebulous question of how to Have It All. The article focuses on a growing class of families in wealthy suburban areas that are putting aside the traditional nuclear family structure for a more progressive and profitable alternative. Read More
BY Katie Fustich
on Dec 06, 2013
It's 2013--by now, we should have the cure for cancer, hoverboards, and all be dressing like Zenon. Instead, we remain entrenched in the archaic days of attempting to disprove a woman's argument by calling her "fat."
The Representation Project compiled a supercut of advertising, television, music, and news to reveal just how pervasive this mentality is in every media outlet imaginable. Though the video also takes time to commend the strides made toward equal representation, the clear truth is that women are still being used as props, sexual objects, and male ego-boosters. Read More
There’s been a lot of buzz around a new study that examines the differences between male and female brains. The study, conducted by the University of Pennsylvania’s Ragini Verma and her colleagues and recently published in the journal PNAS, uses advanced imaging to map the connectivity of the left and right brain hemispheres of males and females. The researchers concluded that male and female brains have fundamental differences: males have more interconnectivity in each hemisphere, while women have more connectivity between the two. Read More
Patty Carroll, Red Velvet
From Francesca Woodman to Judy Chicago, women artists have long grappled with the idea of the home: are our houses our personal sanctuaries or our monotonous prisons? The photographer Patty Carroll expresses the ambivalent relationship between femininity and the home in her ongoing project “Anonymous Woman,” in which she shoots women, meant to represent everywoman, engulfed in drapes.
Some of her images read as warm and womb-like; Red Velvet catches a woman swept up in a luxurious and cozy wave of rich color. Read More
We hear it all the time: sex sells. And it’s true. As the art critic John Berger has suggested, advertisements are effective when they sell a fantasy: buy this product, and you will be envied by all. Women in both art and advertising are often posed for the male gaze; in other words, even if there’s a man in an ad photo, the woman is shown facing the consumer, promising to be just as attainable as the product she sells. Her body is symbolically up-for-grabs to anyone who can afford the wristwatch or cologne she markets. Read More
Popcorn Venus, 2012. Joyce II.
When you think of women photographers who work in self-portraiture, you probably think of Cindy Sherman. The artist has made a career of transforming herself into everything from a bleached blonde spray-tanned socialite to Mae West. Her impressive body of work is such that she appears to be everywhere, capable of metamorphosing into anyone she chooses.
It’s almost impossible to work in self portraiture without being compared to Sherman, and the young and brilliant photographer Juno Calypso often is. Read More
Ever wonder what a ~real~ feminist looks like? LOOK NO FURTHER! The Cut, a site often required to use stock photography, recently discovered the marvelous results of searching subjects like “empowered female” and “girl power,” as well as “women with positive body image” and “working women” within their photo cache.
As writer Emily Shornick explains, “We know that stock photography is designed to trade in clichés; we're well acquainted with Women Laughing Alone With Salad. Read More
Since “selfie” became Oxford English Dictionary’s word of the year, the internet has been abuzz with mediations on the trend’s implication for young women, the group with whom the trend has become most popular. Does the validation of the selfie as a word and as a fixture in modern society hurt or help those who take them?
Flavorwire’s Michelle Dean and Jezebel’s Erin Gloria Ryan view the photographic medium as dangerous to young women’s self-esteem and sense of worth. Read More
Inspired by the UN Women ad campaign featuring google searches related to the word “woman,” Policy Mic’s Elizabeth Plank began a project that explores what the world thinks of feminists. When one Googles search terms related to feminism, the results are discouraging and often violent, but Plank’s images inspire hope as well.
Instead of expressing the silencing of women with the covering of their mouths, her images allow feminists to have a voice. Each woman featured is a prominent feminist activist, gazing boldly ahead. Read More
Kanye West’s new “Bound 2” video has been criticized for featuring a nude Kim Kardashian, with whom he suggestively canoodles. To be blunt, it seems a lot like she’s just there for some eye-candy. But Flavorwire’s Lillian Ruiz would disagree, suggesting that Kanye’s portrayal of female sexuality is “unusually complex” because “there is no Madonna and no whore in this narrative. Read More