Like many parents, the photographer Emer Gillespie loves photographing her daughter, cataloging her family’s growth through a family photo album. Her daughter, 11-year-old Laoisha, who happens to have Downs Syndrome, took an active interest in her mother’s ritual of peering through her lens at a pair of shoes, an open field, the bedroom.
While many family photos include posed children staring at an authoritative parent behind the camera, Gillespie invites Laoisha to participate in the image-making process for a collaborative series titled Picture You, Picture Me. Read More
The photographer Suzanne Heintz is sick and tired of being told that she needs to marry and have kids. Although she acknowledges the strides made by women in the past decades in her interview with Feature Shoot, she feels now that a new sort of feminine mystique has emerged in the past years; rather than being expected to be perfect housewives, society now demands that women have the family, the career, and the flourishing social life. Amidst pressure to “have it all,” Heintz has proudly declared herself a “spinster. Read More
Daniel Seung Lee. Pink Flamingo, #FC74FD
From Brick Red to Blush, the magic of Crayola crayons lies in their color names. While teaching to children a wide array of color, the utensils also teach us some of our first vocabulary words: I learned what a Flamingo was from a crayon! As we grow up, we can lose the sense of wonder brought on by a fresh box of Crayola crayons; unless we live in Pleasantville, the joy the fact of color often escapes us.
Daniel Seung Lee. Read More
In Flower Woman, the photographer Eunice Adorno enters the Mennonite community Nuevo Ideal, in Durango, and The Onda Zacatecas, hoping to scratch beneath the surfaces of stereotypes and uncover deeper truths about the women’s lifestyles. The character of the strict and austere Mennonite female is replaced with a more honest and nuanced exploration of female friendships and family.
The images are whimsical, displaying the women sporting smiles and floral prints, enjoying an ice cream cone and playing with one another’s hair. Read More
I have loved the photographer Alessandra Sanguinetti from a young age; her poignant renditions of newborn and deceased animals on faraway farms broke my heart, translating something ineffable about growth and mortality. Arguably her most renowned series consists of her portraits of two Argentine girls living in rural Buenos Aires, a project which she stumbled into when they kept interrupting her photographic work on a friend’s farm. Read More
“Imagine if someone erased your personality at age twenty. You have to figure out what kind of person you are without the first twenty years.” Ithaca, NY - 2012
Trigger Warning: This post contains descriptions of rape and sexual assault that may be triggering to survivors.
After her close friend was raped in college, the photographer Lydia Billings was devastated by the geographical distance between them, and she confronted her own feelings with her camera. Read More
Photoshop is so laughably overused in today’s media that it’s become a rarity to see an image untouched by digital doctoring. Photoshop allows advertisers to construct the modern fantasy face, and beauty product ads entice consumers with absurdly manicured images of the human form. In most cases, we know it’s not the product that makes one’s skin perfectly blemish-free but the digital alterations, yet we are are continuously urged-- consciously or not-- to strive for unrealistic beauty ideals. Read More
After a recent rape trial divided the College of William & Mary in Williamsburg, VA, the English and psychology student Hannah Boes took action to combat the pervasive rape culture that often persists on college campuses. She founded William & Mary Stands With Survivors, an online catalog of photographs “dedicated to showcasing allies who support sexual assault survivors and refuse to perpetuate rape culture, or the attitudes that normalize and sustain assault. Read More
The family photo album came into vogue in the 1800s, soon after photography was invented; the relatively quick process was convenient for middle class families who could not afford a painting. This isn’t to say that photography was ubiquitous; on the contrary, most folks could only afford to have one shot within their lifetimes. So unlike families today, who can easily upload thousands of images, Victorian families cherished each and every shot. It had to be perfect. Read More
Patty Carroll, Red Velvet
From Francesca Woodman to Judy Chicago, women artists have long grappled with the idea of the home: are our houses our personal sanctuaries or our monotonous prisons? The photographer Patty Carroll expresses the ambivalent relationship between femininity and the home in her ongoing project “Anonymous Woman,” in which she shoots women, meant to represent everywoman, engulfed in drapes.
Some of her images read as warm and womb-like; Red Velvet catches a woman swept up in a luxurious and cozy wave of rich color. Read More