Zackary Drucker: "I identify as human."
Policy Mic recently asked the photographer Amos Mac to contribute a portfolio of his portraits of transgender individuals to their series on Transgender Day Of Remembrance 2013. For Amos Mac, a groundbreaking artist and trans activist, the task was daunting. Portraits capture their subjects in a specific moment in time, but our identities, whether we are cisgender or transgender, are fluid. Portraits like Amos’s ... Read More
The photographer Howard Schatz is renowned for his sculptural portraiture; with heavily contrasted and high resolution images, he is able to capture human bodies in a way that echoes architectural monuments. Through his lens, the human form glistens, morphs into powerful abstract shapes. His project With Child highlights the strength inherent in the pregnant form; he catalogues female bodies right before and right after birth without a trace of the ... Read More
Popcorn Venus, 2012. Joyce II.
When you think of women photographers who work in self-portraiture, you probably think of Cindy Sherman. The artist has made a career of transforming herself into everything from a bleached blonde spray-tanned socialite to Mae West. Her impressive body of work is such that she appears to be everywhere, capable of metamorphosing into anyone she chooses.
It’s almost impossible to work in self portraiture without ... Read More
Ever wonder what a ~real~ feminist looks like? LOOK NO FURTHER! The Cut, a site often required to use stock photography, recently discovered the marvelous results of searching subjects like “empowered female” and “girl power,” as well as “women with positive body image” and “working women” within their photo cache.
As writer Emily Shornick explains, “We know that stock photography is designed to trade in ... Read More
BY Rachael Roth
on Nov 26, 2013
When a friend of photographer Debbie Boud posted pictures of actresses from "The L Word" noting how attractive they were, Boud was dissatisfied: not all of the women were actually gay and they represented only a stereotypically pretty look. In response, her friend challenged Boud to find "gay and hot" lesbian models, an oft-omitted group as far as popular media goes. Thus began her 2010 "It's All Butch," calendar project.
"I wanted to break the ... Read More
Since “selfie” became Oxford English Dictionary’s word of the year, the internet has been abuzz with mediations on the trend’s implication for young women, the group with whom the trend has become most popular. Does the validation of the selfie as a word and as a fixture in modern society hurt or help those who take them?
Flavorwire’s Michelle Dean and Jezebel’s Erin Gloria Ryan view the photographic medium as ... Read More
The Greek photographer Penelope Koliopoulou is tired of seeing romantic comedies that end as soon as the main couple gets together. From her yearning for more complex representations of intimacy, she created Self Portraits, a series of staged narratives in which she plays both the male and the female involved in a heterosexual relationship.
Her initial impulse was to explore film stills in a way I imagine would be much like the work of ... Read More
In many ways, photography has always been about voyeurism, about examining a subject with or without their consent. The internet magnifies our desire to peer into each other’s windows, and photographers are catching on. Doug Rickard and others have used Google Maps to survey the world. The content on the internet is open for consumption as soon as it gets put out there, and the photo collage artist Julia Geiser takes full advantage the ... Read More
As children, many of us turn to our toys to navigate our developing identities. Sometimes, our dolls serve as surrogates; we parent them the way we see our children parenting us, and we identify with them. Photography operates similarly: as teens, we might dog-ear or collect magazine images that appeal to our expanding sense of self. Since so many dolls and photographs in mainstream fashion magazines present a grossly limited definition of femininity, it ... Read More
In Saudi Arabia, images are censored in extreme ways; figures in magazines are drawn over or crossed out. In “Out of Line,” the photographer Jowhara Al-Saud presents a groundbreaking approach to her country’s limits on free expression. Her photographs obscure any personal markers; the faces of her subjects are erased. The images could easily be mistaken for drawings, and this ambiguity only adds to the frightening sense that the viewer ... Read More