Tag » Music
  Imagine a land where boys play with dolls and girls want to grow up to be firemen – and nobody makes fun of them for it. A land where girls don’t worry about being pretty and happily proclaim, “I like what I look like.” A land where boys know that it’s alright to cry. A land where “you’ll do what you like, and be who you are.” This is the land imagined in the album, book, and TV special Free To Be…You And Me, which will celebrate its 40th anniversary in November. Read More
  Known for its robotic vocals (courtesy of a vocoder), Black Moth Super Rainbow has always been difficult to understand, both literally and figuratively—see also the masks the band members wear onstage and their aversion to press. For their fifth album, though, they’ve learned to use their words, discussing the many facets of love on tracks like “Hairspray Heart” and “Like a Sundae.” Kickstarter donations from fans funded Cobra Juicy, and the moral support seems to have expanded the Pittsburgh group’s sound. Read More
  Trigger Warning In an extremely personal and honest new song, Angel Haze comes clean: she raps about being repeatedly sexually abused as a child by more than one attacker. Distressingly, when she told others about it, they either wouldn’t believe her or placed the blame on her.  The assault she dealt with during her upbringing obviously caused a lot of pain -  both physical and mental. “I was afraid of myself, I had no love for myself,” she raps. Read More
Here’s a pop of psychedelic joy to brighten up your gloomy Tuesday!     Brooklyn-based singer-songwriter Sami Akbari, who performs as sami.the.great, has just released a video for her throwback single “Hear Me Now”. Sami’s twee-yet-powerful voice and charmingly introspective songwriting usually bring Ingrid Michaelson to mind, but she puts on her Nancy Sinatra hat (or, more appropriately, flip wig) for this upbeat track. The video matches the deliriously fuzzy girl-group vibe with a heaping helping of lo-fi animation. Read More
  In the three and a half years since Bat for Lashes (aka Natasha Khan) released Two Suns, her brand of vaguely goth chamber pop has taken off—just ask Florence + the Machine, Zola Jesus, or Grimes. Those ladies are wonderful, of course, but we’ve missed Bat for Lashes’ singularly weird beauty. On her third album, The Haunted Man, Khan’s talent is out in full force. Opener “Lilies” kicks things off with an operatic, string-laced bang that recalls Kate Bush, the O.G. chamber-pop icon. Read More