BY Eliza C. Thompson
on Oct 23, 2012
In the three and a half years since Bat for Lashes (aka Natasha Khan) released Two Suns, her brand of vaguely goth chamber pop has taken off—just ask Florence + the Machine, Zola Jesus, or Grimes. Those ladies are wonderful, of course, but we’ve missed Bat for Lashes’ singularly weird beauty. On her third album, The Haunted Man, Khan’s talent is out in full force. Opener “Lilies” kicks things off with an operatic, ... Read More
BY BUST Magazine
on Oct 22, 2012
I recently caught Beats Antique at The Howlin’ Wolf in New Orleans. The all-instrumental band, comprised of David Satori (guitar, viola, and percussion), Tommy Cappel (keys, percussion), and Zoe Jakes (belly dancer, composer, and producer) fuses Middle Eastern tribal sounds with experimental world music and electronica.
Lynx, a singer-songwriter and multi-instrumentalist from Colorado, was the opening act and wowed the crowd with her electronic folk-pop ... Read More
BY shannon carlin
on Oct 19, 2012
Choosing to see Fiona Apple live is definitely a gamble. On a bad night she might rant about her recent drug arrest in Texas or she might decide to hide under her piano or she might just decide to cut things short completely. But on a good night--and Tuesday night at Terminal 5 in New York City was a very good night-- Apple proved why she’s worth shelling out a few bucks for.
From the moment she sang the first words of “Fast As You ... Read More
BY shannon carlin
on Oct 17, 2012
It’s not often that at a concert, the artist encourages you to take photos and film the performance, but that’s exactly what David Byrne did at his recent show in Brooklyn.
Though the Talking Heads frontman, who teamed up with St. Vincent for his latest release, Love This Giant, announced right before going on stage that he didn’t mind people using their phones to take a picture or two, he wasn’t interested in seeing any iPads waving ... Read More
BY Genevieve Bleidner
on Oct 15, 2012
The chorus kids at Staten Island’s P.S.22, who gained fame a few years ago with their spot-on renditions of popular songs, are at it again. This time they wow the indie music scene with their version of "It Feels Like We Only Go Backwards" off Tame Impala’s new record, Lonerism.
Who doesn’t love a chorus group composed of adorable and insanely talented kids? The cover sounds damn good--I’d even say as good as the original. ... Read More