Tag » Music
  Put every collaborating musician from super producer Emile Haynie’s We Fall into one room, and it would be music’s version of 2015’s “SNL 40” special. At first glance, the list of guest appearances in the Saturday Night Live special seemed ridiculous, hyperbolic. However, while there were some brief moments of brilliance, the immense pool of talent was ultimately diluted into a flavorless mess. Much like “SNL 40,” We Fall features too many voices, leaving Emile Haynie’s debut album lacking a cohesive narrative. Read More
  Put every collaborating musician from super producer Emile Haynie’s We Fall into one room, and it would be music’s version of 2015’s “SNL 40” special. At first glance, the list of guest appearances in the Saturday Night Live special seemed ridiculous, hyperbolic. However, while there were some brief moments of brilliance, the immense pool of talent was ultimately diluted into a flavorless mess. Much like “SNL 40,” We Fall features too many voices, leaving Emile Haynie’s debut album lacking a cohesive narrative. Read More
  Last night marked the first of Ms. Lauryn Hill's four (currently) scheduled New York shows of her intimate Small Axe: Acoustic Performance Series. The New Jersey native kept her fans at the sold-out show waiting well past the 8pm open doors, which audience members spent huddled in the main room of the Williamsburg record store/venue/cafe, Rough Trade. Hill didn't grace the stage until about 11:30pm. Read More
  “Don’t need a Hercules, Lancelot or Bond/Don’t treat me like some dumb blonde.” Damn straight. Cute, upbeat, and right to the point with lines like “I didn’t go to school to be a victim in dress”, Rebecca Juliet’s “Damsel in Distress” may be February’s new feminist track. Full video below—it's definitely worth a watch.  So dudes, take note: Nothing is less unsexy than telling us to sit back and look pretty while you fight ninjas. We GOT this. Read More
This guest post was written by Sarah C. Jones. BJÖRK Vulnicura(Polydor Records) Fans of Björk know that the only thing predictable about her work is constant change. The Icelandic multi-instrumentalist’s last album, 2011’s Biophilia, was a conceptual (and somewhat bloodless) multimedia project, but Vulnicura is a deeply intimate chronicle of heartbreak. Written in real time, these nine tracks detail an excruciating break-up with her longtime partner. Read More