Life In the Slow Lane What’s it like to leave the modern world behind to work with sloths in the jungle? Just ask kickass conservationist Sam Trull Monster chillin’ with a snack Sam Trull found out the hard way that you don’t want to get nibbled on by a sloth. “I’ve been bitten by a two-toed on my left ring finger, actually. Of course,” she says with feigned exasperation. “My nail will never be the same.” Between their insanely sharp teeth, long claws, and jaws that can literally chew through rocks, sloths are a lot gnarlier than your favorite memes would suggest.
I don’t dislike this new Ghostbusters movie because they’re all women, that’s silly and ridiculous. I can’t believe that’s even a question, with my history. I mean, my mom and sisters are all women and I know them, so how could I dislike other women that are not them? It doesn’t make any sense and, frankly, it’s below the belt. I mean, how dare you? I hate the new Ghostbusters movie because my number one issue when judging a film is and has always been Hollywood finance reform. And frankly, I’m tired of all big blockbuster movies.
If you’ve ever watched The Valley Of The Dolls and wished for just a little more cannibalism, necrophilia, sexual violence, and mountain lions, The Neon Demon is the film for you. Director Nicolas Winding Refn's (Drive, Only God Forgives) begins the Neon Demon with a familiar story: Elle Fanning stars as Jesse, a just-turned-sixteen naïve, talented ingenue who is immediately signed to a major modeling agency; Mad Men’s Christina Hendricks is great in a small but satisfying role as her agent.
Ava DuVernay is a name you heard a lot last year. DuVernay directed Selma, which chronicles the 1965 voting rights campaign led by Dr. Martin Luther King, Jr. Selma is the first feature film to be made about him and his work nearly fifty years after Dr. King walked across the Edmund Pettus Bridge. It was also the first film directed by an African-American woman to be nominated for Best Picture, although DuVernay herself did not earn a Best Director nomination.
When I’d left my husband the thought of dating and sleeping with other men hadn’t even crossed my mind. I’d just wanted out of a marriage that had grown increasingly abusive and unhealthy. Before we’d started dating I’d shared details about my sexual past with my ex-husband. I’d told him, with the help of a half bottle of wine, about my childhood sexual abuse, my crazy religious family and their abstinence-only dogma, and about the rape in my mid-twenties. And then, over the course of our eight year relationship, he’d thrown them all back in my face.
    Back in 2013, the Texas legislature passed House Bill 2 (HB2) concerning abortion and access to abortion across the state. Two of these laws—one that requires any physician who performs abortion to have admitting privileges at a hospital within 30 miles and another that state’s abortion clinics must adhere to the standards set for ambulatory surgical centers (ASC)—have had the effect of closing 22 of the 41 state’s abortion clinics, essentially eliminating abortion options for women all over the state.
Many of us remember early adolescence as a difficult social time: growing up, standing out, fitting in. In her new film The Fits, writer and director Anna Rose Holmer imagines a new, bizarre—and perfectly apt—rite of passage to illustrate these late childhood to early teen years. The film focuses on 11-year-old Toni (played by first-time actress Royalty Hightower), a precocious tomboy who spends her days training with her brother in a boxing gym in Cincinnati’s blue-collar, African-American West End.
  On Thursday morning during the House sit-in, Democratic Congresswoman Debbie Dingell from Michigan took the podium to make an impassioned plea for the passage of gun control legislation.“I lived in a house with a man who should not have had access to a gun,” said Dingell. “I know what it’s like to see a gun pointed at you and wonder if you were gonna live. And I know what it’s like to hide in a closet and pray, ‘Do not let anything happen to me.’” Dingell has long used her own experiences to speak out against domestic violence and advocate for gun control.
  Alexandra Henry has worked for the past three and a half years on a feature documentary about the courage and creativity of female graffiti and street artists. The documentary, called "Street Heroines," follows artists across 10 different countries whose work offers solutions to issues such as gender disparity, sexual harassment and human rights violations. According to Henry on the project’s Kickstarter page, the artists’ “observations clearly reveal the struggle for creative space, and a lack of recognition faced by women working within this male dominated subculture.
There is a stereotype that curvy and plus size women can’t wear vintage lingerie due to sizing. I am here to tell you that is absolutely untrue! Just as hard as it is for a woman with a DDD or above bra size to find a bra at Target, it is not easy to find vintage lingerie that flatters all sizes, but it isn’t impossible! Below are some of my favorite vintage labels that cater to the busty and plus size market.