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  The Food Film Fest is one of the oddest and most fun movie events in the game. The conceit is (fairly) simple: the audience watches a series of short films on some element of food culture, and as each dish is introduced on screen, servers distribute tasting plates of the same dish to all the viewers. And after each screening, a party is held where the theme food is served (along with a whole lot of relevant-themed beer and cocktails, of course). The events, which...
Art initiative New Orleans Airlift is working to create an architectural landmark in New Orleans, a musical space in which artists and visitors can share and collaborate. The first phase of the musical village was The Music Box, a set-up of interactive structures built on the site of a collapsed 250-year-old Creole cottage. This project, completed last year, is a giant musical instrument that takes an entire community to play and looks freaking awesome.     From this prototype, the artists are moving on to their larger project...
I recently came in contact with Beauty Without Cruelty. I was drawn to their array of colorful lipsticks and, of course, the idea of all-natural beauty. I found out their products are 100% vegetarian and 100% natural. The company was actually founded by an animal welfare organization, so you know they're legit. Naturally, their mantra is all in the name. They sent over a few products and I'd like to tell you a little about products like Rosehip and CandyFloss. Beauty Without Cruelty Lipstick: Rosehip I've been wearing this color quite often these days. It's more coral-orange than it...
  There has been a lot of talk about Miley Cyrus lately, and not surprisingly, a lot of it centers around her father, Billy Ray Cyrus. This kind of talk is concerning; it’s as if the American public has chosen to express their disapproval of Miley’s sexual expression by implying that Billy Ray must be appalled. The public is crying, “That’s not my little girl.” And the thing is that she isn’t our little girl at all; she is a woman growing up and finding out...
The New Republic’s Laura Bennett has something important to say about Betty White’s recent roles in her essay “Betty White Is Not a Sex Machine: Our Cruel Obsession with Dirty Old Women.” While she acknowledges that elderly women in the media have gained traction, ceasing to be mostly “sexless [...] prudish nags,” she sees an increase in sexual exploitation of older women. From Betty White’s role in Hot in Cleveland to Cloris Leachman’s Maw Maw on Raising Hope, older women in the media are often...