Absolute Promethea 2: A Review
The last time I wrote about Promethea here I'd just gotten my hands on the first Absolute volume, and it had blown my mind.
"It's less a narrative than a trip, fables layered on top of stories and characters' identities shifting into dreams. If Watchmen is Moore's Ulysses, then Promethea is Finnegans Wake and it demands the same experience--stop trying to make it make sense and just let it wash over you and enjoy the ride."
The second volume arrived last week, and I'm just as thrilled with it. I drowned myself in it yesterday, spending hours with its glossy, gorgeous pages, and at the end of it found myself just as inspired as the last time.
Part two is part adventure narrative/vision quest, but mostly an explanation of a mythology--if it falters at all it's the transition between expository characters whose voice-over is a little too clearly the voice of Moore explaining just what's going on here. He's pulled together a myth-world that's based in systems that already exist--the Kabbalah, various pantheons of gods and goddesses--and sent his characters off on it, including a foul-mouthed teenage guardian angel and a green-haired college student turned superheroine (or, tellingly, Moore calls them "science heroines").
Promethea is, aside from an explanation of a magical worldview, also an argument for the seriousness of comics. J.H. Williams' art doesn't so much toy with panel structure as explode it entirely, and as the journey goes on he shifts art styles so entirely, mimicking classics and classic comics so perfectly that the James Joyce analogy seems appropriate again--just as Ulysses went tripping through the entire history of literature, Promethea skips through the history of visual art and by doing so places itself squarely in the tradition, daring you to argue.
Moore's expert at using the medium to play with space and time, and he understands the difference between comics and any other visual or narrative art better than anyone working in it. And there is a narrative here, though you'd be excused for just gaping at the visuals, a narrative and characters worth knowing and loving and following, and more than the first one this volume left me breathless for what comes next.
"I guess that telling stories with pictures is the first kind of written language," one of the Prometheas notes, and it's true. As Harvey Pekar said, comics are words and pictures and you can do anything with words and pictures, from Pekar's working-class warts-and-all lifestyle to the lushly gorgeous dream-world of gods and goddesses and the blurred boundaries between mortal and divine that Moore and Williams set out here.
Sparkling Foxes, Feathers & Genie Lamps. I Heart Mandy Shadforth!
Mandy Shadforth is an AMAZING award-winning contemporary artist from Queensland. This Aussie babe paints in a super realistic style, drawing her viewer into intimate details that would usually be overlooked. Mandy paints with such control and depth. She is able to manipulate her pop culture/natural images into mysterious kaleidoscopes of daydreams and bewilderment. She just released her 2010 collection a few months ago and I am smitten. Aren't you?? Mandy is currently showing her annual exhibition at the South Yarra Arthouse in Melbourne.
Ps. She has an awesome blog.
photo credits: http://www.mandys.com.au/
A Feminist You Should Know: Spotlight on Mwende Katwiwa!
Recently I sat down with the lovely and talented Mwende Katwiwa — a.k.a. FreeQuency, a spoken word artist, recent recipient of the Feminist You Should Know Award, and senior at Tulane University. Ms. Katwiwa is 22 and double majoring in Political Economy with International Perspectives, and African & African Diaspora studies. Originally from Kenya, she came to New Orleans after graduating high school to pursue service with the AmeriCorps program City Year, prior to enrolling at the University of Chicago. However, after immersing herself in the city, Katwiwa realized that engaging communities and contributing to sustainable change would take a lot longer than one year — so, she applied to Tulane and has since worked her way into different social change circles both on and off campus. Currently she is a member of WhoDatPoets and Slam New Orleans (NOLA's championship-winning spoken word team). She also serves on on the executive board of The Black Student Union, at which post she chairs The Tulane Black Arts Festival (February 17th to the 23rd). In addition to putting most 22 year olds to shame with her glowing C.V., Katwiwa is well known around Tulane's campus as an inspirational, intelligent, down-to-earth, and all-around-super-cool lady. She was kind enough to share a bit of her story with me:
What initially attracted you to the Spoken Word medium?
My mom (who is the coolest lady in the world, the more I remember all the things she's done I'm like “aw yeah that was my mom!") does a lot of work with community engagement and activism,and she took me to my first spoken word show by a group called 2050 which I later joined. Before then, I though I hated poetry because it didn't say anything. Then here I was at this show where every single person was using their voice to say something meaningful in a poem. I had never had poetry presented to me in that way and I was so captivated by it. I happened to live in a community that supported youth arts and so I was able to join in pretty quickly.
What are some sources of inspiration for you?
My parents are first generation immigrants who came here and worked their way to the top. They came here on student visa's as graduate students and now they're tenured professors. How could you not admire them? If there is one thing that really does encourage me to keep doing things it’s just looking back on where my mom and dad came from to where they are today. If they can do that, I can do more because I came from them.
Any other projects you have going on right now?
I teach poetry after school and social justice at Akili Academy here in New Orleans. I love it, I really love working with kids, they're just so hungry for knowledge and when you talk with them you have to be careful about what it is your instilling in them. I like that because it really keeps me accountable for things.
I'm also a producer for the Vagina Monologues, (if you can't tell [there's] this theme of arts and activism...), I really do believe in the power of art to connect different groups of people and give voices to people who would otherwise be silenced. With the Vagina Monologues it’s kind of around the same idea but now focused on marginalized women. One of my reasons for becoming a producer this year instead of being a cast member, which I've been for the past two years, was to make the production more intersectional and more inclusive of all kinds of women, whether those are women of color, queer women, trans women — all women.
What is really cool about the organization that named me the Feminist You Should Know is they encourage women’s initiatives, so I'm using that to try and throw support to some groups on this campus that have never had it before. For example, we have a pretty active pro-life group on our campus but [had] a much less vocal pro-choice scene until this semester. I recently started a 1 in 3 chapter on Tulane’s campus, and there is a lot going on in terms of reproductive rights in Louisiana so it is a perfect time to start and build a college coalition on that.
There is a performing arts showcase TONIGHT from 8-10pm in the Kendall Cram Room of the LBC on Tulane's campus featuring Sunni Patterson and Mwende.
--Interview by Olive Henzel
Images courtesy of Mwende Katwiwa
#BanBossy Update: Awesome NJ Girl Scouts Weigh In
Let's hear it for the NJ Girl Scouts who are making us proud with their involvement in the #BanBossy movement!
The New Jersey Courier-Post, a South Jersey newspaper, featured an empowering and inspiring video and article where young NJ Girl Scouts discuss what it means to them to be a leader and how they feel about the term “bossy”.
The "Ban Bossy" movement was launched by the national Girl Scout CEO Anna Maria Chavez and Facebook COO Sheryl Sandberg earlier this year.
In part to the success and popularity of the campaign, Assemblyman Paul Moriarity has spoken out about the NJ legislation’s desire to close gender and race-based wage disparities.
“Someone made a joke the other day that we should hire Hillary (Clinton) to be out next president because we’ll save 30 percent,” Moriarity said. “I have a daughter. I don’t want her paid less than someone else doing the same work.”
“'We have some pretty strong women in New Jersey,” Moriarity said. The state has a “very progressive” State House delegation, with one of the country’s largest women’s caucuses.”
At first, I was hesitant to see how the campaign would pan out when it jumped from celebrity-spokespeople like Beyonce to actual societal change. But these awesome NJ Girl Scouts prove that banning the term bossy may have spark change in our society after all.
The Other Side of Sex
I interviewed a friend of mine who is a dominatrix, because I was curious about whether she finds her job empowering and what made her get into it. She was kind enough to answer my questions candidly, providing insight into a world I know relatively nothing about.
1. How did you get into being a dominatrix?
I've always been a pervert. When I moved to New York, I pretty much immediately started going to burlesque shows, which are closely tied into local fetish parties. I was always kinky and had a rough sex life that went far beyond what my friends were doing, but I got my first taste of really beating someone up for fun in the play areas at those parties. Then I started modeling nude, which led to a stint doing lesbian and solo fetish porn, and when I answered an ad to do a film for my current dungeon's website, they hired me as a Switch (professionally Dominant and submissive, sometimes but not always in the same session). After I established that I'm a shitty, bratty submissive who can't keep my mouth shut when big stupid guys yell in my face, I went full-on Domme.
2. Were you intrigued by it beforehand--what made you do it?
Always. First and foremost, I'm an artist-- I've always drawn fucked up, dark shit. No one's surprised that this is where I ended up. As for what made me do it, I'm not going to say the money had no part in it; but there are other things I could have done for money. I actually really like the job. People tell me their deepest secrets, even more than they tell their therapists, best friends, and wives. I have a constant crystal clear window into people's brains. It's great material for my fetish art- go into work, get paid, get inspired, draw stuff, sell the art. Profit, profit, profit!
3. Did it match your expectations?
I don't work in a huge dungeon. We have no cool features or huge equipment like a St. Andrew's Cross or a medical room or anything, which is a bit of a disappointment when I hear about my friends in their big, fully loaded places. The difference is that they have to work long shifts and I only have to go in when I have a client (and I get paid more). I prefer that, for the most part, so it's worth the exchange for now. As long as I have a punishment chair and an array of ropes and paddles and other knickknacks, I can make it work. As for the clients, they matched my expectations in every way.
4. What's the average time in a dungeon like?
It depends on the client. Sometimes I just sit there and we have a normal conversation about life- people will pay 200 dollars an hour to listen to me talk about my everyday life. Other times, I walk in wearing head to toe latex and spend the next hour yelling and hitting and punching and kicking and spitting without coming out of character, even at the end when the session is over and I grab the bloody pathetic pulp of a man by his hair and try to throw him down the stairs to get him out of my sight. I get a lot of sessions with guys who just want to suck feet for a whole hour. Some want to smell my armpits or act like babies or eat my used toilet paper. Some want me to wear a frumpy dress and be a diaper changing Mommy who swaddles and breastfeeds them. It's a mixed bag, there is no average.
5. Is it overtly sexual-- ie dildos etc, or is it mostly just guys who want to be verbally abused and whipped?
I don't do dildo stuff because it's technically illegal and I don't really care for it. I can instruct guys to penetrate themselves with dildos, but I won't usually do it for them. Almost all of them jerk off during the session, so yeah, it gets pretty sexual; but I absolutely never touch a penis unless I'm torturing it. That said, I have used my hands to make a man ejaculate... With sandpaper :) Clients are not allowed to touch my vulva, anus, mouth, or breasts, and they need to ask permission before touching or worshipping any other part of my body.
6. Do you find it empowering?
I guess I find it intellectually empowering... knowing more about what really goes on in people's heads than most. I ask my clients a lot of questions about what drives them, where their fetishes originated, exactly what makes them tick and why, et cetera. It's a kind of honesty that not a lot of people get to hear. I guess it empowers me as a woman in that I can get paid to do this job that no one would pay a man to do. It's cool to just be some ratty little girl who can force a grown man to drive in from Jersey to buy me a candy bar and bring it to my building at 2am for no reason.
7. Is it easy to get taken advantage of?
It's easy to get taken advantage of if you're naturally passive or even a little naive about men. When I was a professional submissive, I'd occasionally have group sessions with other submissive girls. I saw a lot of shit. Guys will just stick a dick in your mouth and expect you to keep quiet; they'll go as far as they can until you tell them to stop. You'd be surprised by how many girls don't know how to tell a guy when to stop or when they're uncomfortable.
When I got hired at my current place, it was me and one other girl coming in for the interview. I was told that I'd be going into "training". We were tied up, bent over, and gagged. No real instruction was being given so I was immediately suspicious about the nature of this "training". The other girl had previously expressed to me that she was naturally extremely passive and rarely spoke up. She kept glancing over and giving me uncomfortable eyes like she didn't know what to do- we were both confused as to what was going on. Our boss took off his pants and began jerking off. I saw him pull her underwear down to look at her vulva and before he had the chance to go any further, I immediately untied myself, forced him to untie her, and made him hire us and pay us for our time and trouble. He apologized profusely and never tried that shit with me again. Sometimes he has the balls to ask me if I ever want to "train" girls with him, which is code for help him get a free jerk off session with a random submissive girl who doesn't know that she can say "no". I'm not into that.
The only way I get taken advantage of is over the phone. I book my own clients, so I have to answer phone calls from a lot of freaks. Some of them will try to keep you on the phone for an eternity so that they can keep asking questions while they quietly jerk off, and sometimes for the sake of trying to book the client, I have to keep answering their dumb questions. I'm getting better at weeding out the phone wankers.
8. Do you think working as a Dom has made you stronger?
I am definitely better at standing up for myself. I don't take any shit, ever, from anyone; maybe I took a little shit before I learned that I absolutely 100% don't have to. I am better able to notice when others are trying to take advantage of me and I'm good at seeing through manipulative lies. I also have a quicker wit and am a better arguer from that whole coming-up-with-insults-for-an-hour-at-a-time thing.
9. Has it changed your relationships to men at all, (esp. in the beginning?)
It made me more confident that I'm a huge gigantic massive lesbian. I'd occasionally date men before being a Domme, but I was never physically attracted... whatever feelings or urges I was having that made me date them years ago have not surfaced since I've had the job. I guess I'm getting just the right amount of the masculine attention I'm subconsciously craving to satisfy my repressed Daddy Issues, without having to dole out empty affection or sleep with someone I'm not attracted to.
10. Any other crazy stories?
I had a Med School student who would pay me in his student loans for bottles of pee and bags of my used shitty toilet paper. His sessions would consist of an hour's worth of me farting in his mouth. How did I fart for an hour, you ask? I prepared by eating everything in sight for at least a day. He started engaging in light stalking so I had to cut him off before it got out of control. I also have a guy- who I actually just saw this afternoon- who is a Hasidic Jew whose fetish is being spat on and force-fed non kosher food. I get a lot of Hasids; I'd say 60% are into being peed on, and half of those don't shower before they go home. I have a lot of stories about people who are sexually repressed by religion; those are the most outlandish fetishists. As a submissive, I had a guy with a crazy sock fetish. He'd come in with hundreds of dollars worth of socks and make me try on each pair and say "daddy, do you think my feet look pretty?" Then he'd tell me to act like I was crying and he'd pretend to rape me, beat me, and make me thank him. The crazy part is that the most degrading part, for me, was having to wear a pink nighty and a headband. I felt retarded.
11. Do you have any advice for girls who'd like to do it?
Know your rights, speak up, don't do anything that makes you uncomfortable, and have fun. If you're considering doing this job solely for the money, become a stripper. It's easier and pays more and you don't get covered in spit and sweat.
Artwork by the interviewee, who prefers to remain anonymous.
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